My Review of the Canon A2

     So today, while my face nears bursting with my current sinus infection, I sit here on my desk staring at my (relatively speaking) old Canon A2, an old EOS camera with modern features that works almost like my new toy, a 5D Mark II [goodbye 7D]. Curiously, it just happens to be its digital successor, but only if you're from Europe, as they got the EOS 5.

     The EOS A2 was introduced to the market at almost the same time that the world experienced the hodgepodge that was Nirvana's Incesticide album, November and December of 1992, respectively. Like Incesticide, it had some junk, erm, features, that Canon didn't want to introduce into the EOS 1, such as eye controlled focusing (which only came on the A2e), a built-in flash that was capable of zooming with your lens, and an infrared AF assist light.

     Also like Incesticide, many of these features were great, and only a couple of them absolutely sucked.

     Starting with the good, the camera fits in my large hand nicely and feels well made. The viewfinder is nice and bright and is uncluttered by useless info. It shoots at a maximum burst of 5 fps, making this camera great for sports, and includes an AF assist light that helps with focusing at night. The built in flash is also nice to have if you just need something that will light your subjects. Film is quick to load, and quick to wind up. Plus, if you go anywhere in public, you are immediately known to be a serious photographer, as the camera's imposing presence around your neck strikes fear into snapshooters souls.

   Now, the bad. Like Incesticide, (and grunge in general) this camera doesn't know what the hell is going on with itself. Like a 15 year old that just experienced puberty, it has all these new feelings that it doesn't know how to process yet. As such, the AF is completely useless without the AF assist light. It can't focus on a black and white striped shirt in bright daylight to save its life. I constantly find myself switching into manual focusing mode to focus correctly. Another annoying problem is that this camera flies through it's expensive batteries. I can only get about 15 rolls per battery before the camera needs a new one (and I don't use the flash). The built in flash's zoom is useless; the lighting is crap regardless of whether or not its zoomed correctly, making it another draw on the already pathetic battery life. Another problem is that due to some weird legal issues, the A2 (the EOS 5 is exempt) doesn't have a typical meter in full manual mode. Instead of a scale showing you how over or underexposed you are, you get a plus or minus symbol and nothing else. The last and most annoying yet insignificant complaint is that the mode select dial is really stiff, and on top of that it locks, much like the new Canons [please Canon, please get rid of these stupid locks. No one wanted them].

     To conclude this review, in my opinion, you should avoid the A2. It does not work well, and the EOS 3 is a much better camera. If you must have it, likely due to the cost of the EOS 3, be prepared to deal with its shortcomings. In the end though, I have taken some nice images with it because a good image is only 5% camera and 95% photographer.

My Review of the Mamiya C220

Alright, I promise to start writing more often for my blog. Haven't done much as far as the darkroom goes but I think I'll start doing full reviews of the equipment I come across.

Today, I'll be reviewing my Mamiya C220. This is a medium format TLR that came out in 1968 and is unique in that it is a bit larger than similar Rollies, but has interchangeable lenses, ranging from a 55mm wide angle to a 250mm telephoto lens. The lenses themselves were unique in that they came with the entire shutter assembly; each lens had its own shutter integrated into it. Although this made them a bit more expensive, it makes finding replacement shutters quite easy.

Another unique feature of this camera are it's amazing macro capabilities. Using the 80mm lens, it can focus from about 9 inches away, making this lens particularly versatile.

The ergonomics on this camera aren't the greatest. I don't like the focusing mechanisms. To focus, you have to use two wheels on either side of the camera to move the bellows out. Paired with a focusing screen that isn't exactly sharp, this makes focusing clumsy and difficult. While I do like that the lenses include the shutter with them, I don't like that the shutter dial is on the front, making it clumsy to check. Having an indicator on top would've helped greatly.

Although this camera has a few drawbacks, what makes it shine is the fact that it doesn't require batteries of any sort. It is completely mechanical, so you can be assured that every example you find won't have bad electronics or anything, because there aren't any. The most electrical system on it is the PC flash sync attached to the lens. Another plus about this camera is that the shutter and winding systems are separate, so double exposures are possible through a small dial on the side of the body.

Winding film in isn't too challenging, and its large body keeps the film straight, so there aren't any bends for it to get caught on. It accepts 120 and 220 film but only shoots in a 6x6 format [great for resolution but it hurts your wallet].

So far, I've shot many rolls through this camera, and I hope to shoot many more. I think it excels with slide film, but I've also put a few black and white rolls and recently a roll of Portra 160 through it and it does a great job with those as well. The nice part is that when you're walking around with it, it looks great and always sparks conversation.